He spends the night in an abandoned overturned car and in the morning decides to check things out.īut as he moves on towards the facility, he encounters a stranger who reveals himself to be one of the mercenaries and points a loaded rifle at him.
They demand one billion dollars from their parents, but Kyle who notices them manages to escape.
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But just when Kyle is starting to warm up to his new life, and has started to patch things up with Amy, three mercenaries invade the camp, kill the counselors and security guards, and take the wealthy teens hostage. Kyle is resistant at first, and is horrified to discover that Amy is also there quite naturally, she despises him. While his father does use his connections to get Kyle out of jail, he decides that the only way Kyle can learn responsibility is by being sent to a tough-love camp on a remote island in the UK for rich kids who messed up one too many times. They leave the party together, and Kyle, still drunk, wrecks his car by losing control and flipping it over he flees the scene and leaves Amy for dead. He attends a party and meets Amy (Phoebe Tonkin), and they immediately hit it off. Kyle (Jeremy Sumpter) is the spoiled and entitled son of a wealthy father. It was released in Kuwait on and later in the United States on 19 August 2016. The film stars are Jeremy Sumpter, Phoebe Tonkin, Ed Westwick, Dominic Sherwood, Mark Bonnar, and Sebastian Koch.
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It has, however, tried to do a series of uplifting, lower-budgeted dramas such as “Million Dollar Arm” and “McFarland, USA,” with middling results.Billionaire Ransom, also known as Take Down, is a British thriller film that was directed by Jim Gillespie and written by Alexander Ignon. Disney is primarily in the blockbuster business, offering up Marvel adventures, “Star Wars” sequels and spin-offs, and the latest Pixar fantasies. The drama about a chess prodigy from Uganda only managed to generate roughly $2.6 million after moving from 52 to 1,242 screens. Those projections now look very rosy.ĭisney’s “Queen of Katwe” also bombed in its expansion. At one point during its bankruptcy proceedings, Relativity predicted that “Masterminds” would generate $125.4 million in revenues for the studio over its lifetime and $47.1 million in profit. Yet, “Masterminds” eked out a feeble $6.6 million, a disastrous result for the mid-budget comedy. Freshly emerged from Chapter 11, Relativity had hoped that its release would signal to Hollywood that the studio has put its financial troubles behind it. Then there’s “Masterminds.” The heist-comedy about a hapless band of robbers was originally scheduled to be released last year, but found itself entangled in Relativity Media’s bankruptcy proceedings. Lionsgate’s movie arm hopes to regain its stride with the upcoming release of “La La Land,” an acclaimed musical with Ryan Gosling and Emma Stone, and “Hacksaw Ridge,” a war drama from Mel Gibson. At the same time, the company’s share price has dropped more than 50% since last fall.
It is struggling to find a replacement for “The Hunger Games,” the hugely successful young adult series that concluded last year, and has seen the likes of “Gods of Egypt,” “Blair Witch,” and “The Divergent Series: Allegiant,” falter at the multiplexes. Lionsgate, the studio behind the film, has had a rough period at the box office. However, the strong reviews didn’t translate into ticket sales. The look at the men and women who were forced to grapple with one of the worst oil spills in history cost roughly $120 million to produce after incentives are taken into account.Ĭritics liked the film, handing it an 82% “fresh” rating on Rotten Tomatoes. “Miss Peregrine’s” is in a better position than “Deep Water Horizon,” after the expensive adventure drama from the “Lone Star” team of Mark Wahlberg and Peter Berg collapsed with a $20.6 million opening. He hasn’t had a major hit since 2010’s “Alice in Wonderland,” with audiences rejecting the likes of “Dark Shadows,” “Frankenweenie,” and “Big Eyes.” Burton is responsible for blockbusters such as “Batman” and “Planet of the Apes,” but his commercial touch has been spotty of late. It means that the adaptation of Ransom Riggs’ best-selling young adult novel will have to do well overseas if it wants to make money and inspire a sequel. That’s a mediocre start given the fantasy film’s $110 million budget. LOS ANGELES, Oct 2 () - Tim Burton’s “Miss Peregrine’s Home for Peculiar Children” topped a feeble crop of new releases to pick up first place at the weekend box office, opening to $28.5 million.
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